☻ Festival season is here ☻ Check out where Panache Artists’ will be… Make sure you stay safe, drink lots of water, wear SPF, and catch as many of the artists as you can! BIKINI KILL 〰️ FRI 8/5/2022 OFF Festival Katowice, Poland WED 8/10/2022 Øya Festival Oslo, Norway THU 8/11/2022 Way Out West Gothenburg, […]
Melbourne-based 60s-influenced Punk band The Murlocs have announced new studio album, Rapscallion, due out September 16th on ATO Records.
The latest from Ezra Furman is what we’ve come to expect from the artist. “Lilac and Black” is a virtually genre-less song that borrows from many different styles while sounding entirely unique. There are elements of folk, pop, dance, punk, and all the multi-hyphenate genres in between, but it doesn’t truly sound like any of those.
Melbourne-based garage-rock band, The Murlocs have just released a spellbinding new hit, Virgin Criminal, lifted from their forthcoming sixth album, Rapscallion, which is set to launch on September 16 via Virgin Australia.
‘Rapscallion’ was self-produced by The Murlocs themselves, and recorded in the band members’ own homes. According to Ambrose-Smith, the album is loosely conceptual. “I ended up coming with a story of a teenage boy who’s the black sheep of his family, and one day decides to leave home and travel to the city on his own,” he said.
Australian psych band The Murlocs will release new album Rapscallion on September 16 via ATO.
Hailing from Melbourne, 60’s tinged psych-rock punks The Murlocs have announced their brand new studio album, Rapscallion, due out September 16 on ATO Records. Strapped with fuzzy guitar licks, feverish bass and psychedelic brightness, the 12-track collection is a coming-of-age novel in an album form.
With the release of their first four albums, the Melbourne-based outfit The Murlocs — King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith (vocals, guitar, harmonica) and Cook Craig (bass) along with ORB’s Cal Shortal (guitar) and Crepes and Beans’ Matt Blach (drums) and Tim Karmouche (keys)— established a reputation for crafting fuzzy and distorted psychedelic blues, which they supported as an opener for the likes of Gary Clark, Jr., Mac DeMarco, Ty Segall, Thee Oh Sees, Pixies, Stephen Malkmus and The Jicks, Wavves and of course, Kenny-Smith’s and Craig’s primary gig, King Gizzard and the Lizard Wizard — and as a headlining act, as well.
Hailing from Melbourne, 60’s tinged psych-rock punks The Murlocs have announced their brand new studio album, Rapscallion, due out September 16 on ATO Records. Strapped with fuzzy guitar licks, feverish bass and psychedelic brightness, the 12-track collection is a coming-of-age novel in an album form.
“Lilac and Black” is Furman’s empowering call to arms for the trans community, reflecting on the toll of their embattled existence while rallying for a unified front against cis bigots.
Ezra Furman is releasing a new album, All of Us Flames, on August 26 via ANTI-/Bella Union. Now she has shared its fourth single, “Lilac and Black,” via a lyric video. Listen below, followed by her upcoming tour dates.
A press release says “Lilac and Black” concerns “a revenge plot where she and her ‘queer girl gang’ drive out their oppressors and claim a hostile city for themselves.”
Ezra Furman unveils a new single “Lilac and Black” off her forthcoming record, All of Us Flames, out August 26th via ANTI- & Bella Union. Produced by John Congleton, All of Us Flames unleashes Furman’s songwriting in an open, vivid sound whose boldness heightens the music’s urgency.
For some reason Ezra Furman’s reputation as a more folky indie rocker persists to this day, certainly among people who checked out of the songwriter’s career during the period with The Harpoons. And then perhaps transferring that impression onto Furman’s early solo albums. But this performance wasn’t the kind of thing you leave with any impression other than Furman is a fiery and charismatic singer and guitarist whose passion and conviction is imbued with an irresistible righteousness of purpose and deep compassion for the tender and vulnerable sides of anyone that has ever had to deal with the persecution of a society and culture that too often denies full humanity to various groups of people that are dismissed as a minority group.
Music Feeds’ New Aus Music Playlist is updated once a week with all of our favourite Australian releases from the preceding seven days. This week’s playlist features the first taste of The Murlocs’ upcoming album, Rapscallion, Anna Lunoe’s latest rave-bait, alt-pop excellence from Keelan Mak, Eluera, Northeast Party House’s ZHR and loads more.
‘Spellling has announced a North American tour in support of her 2021 LP The Turning Wheel with a new video for “Queen of Wands.” After a handful of summer festival dates—including Pitchfork Music Festival on July 15—Chrystia Cabral heads out on her first headlining tour in August and October.’
‘The Turning Wheel came out last year via Sacred Bones, and was one of our Top 100 Albums of 2021. Listen to our podcast interview with Cabral, where she discusses the album.’
Ezra Furman once told me that living as a trans person in the world is constantly rattling a cage. The reoccurring themes of running away, getting in a car and driving away from everything, that escape to freedom is something that she longs for.
Ezra Furman headlined the Fine Line Music Café in Minneapolis on May 31.
The opening of the show was that of Melbourne Grace Cummings. She joined on stage her brother on guitar, Tyler on drums, Lino on bass (she also thanked her driver, “Chef”). The group appeared in good shape, happy to be in Minneapolis this summer.
Ezra Furman walks gingerly up to the mic. She’s clad in a leather jacket, tight black dress, faded Doc Martens and hot pink tights, with most of her wavy hair covering her face. Guitar in hand, she looks straight out into the audience and says, “Transgender in the state of Texas in March 2022. This is not a f—king around type of situation.”
It’s been over a decade since I first wrote about Ezra Furman. Since then, I’ve said pretty much everything a person could possibly say about an artist they greatly respect and admire. She’s one of the greatest songwriters I’ve ever had the pleasure to hear. She’s one of the fiercest performers I’ve ever seen. And she’s one of the most humble human beings I’ve ever met.
The way Ezra Furman sings “Do you remember when we thought the world was ending? Seems funny now,” here sounds both hopeful and utterly bleak at the same time. It seems fitting for a song about the cyclical nature of chaos and the role it plays in so many lives. Furman’s new album All Of Us Flames arrives August 26.
