“With his remix, Shadow has turned “Black Hot Soup” into a classic Shadow banger, a breakbeat-driven funk workout that only takes a few elements from the original track. Shadow’s “My Own Reality Re-Write” of the song layers tumbling drums over a heavy bassline and a whole lot of record-scratching, and it sounds like a beautiful circa-1997 vision of a future that sadly never came to pass.”
“DJ Shadow’s take on “Black Hot Soup” — which follows the new record’s lead singles, “Neu Butterfly (Peaches Remix)” and “Shanghai (The Scientist Dub),” both released last month — is indeed an obliteration of King Gizzard’s characteristically free-wheeling, psych-rock version. Shadow’s “reality” of the track retains elements of the original, but it’s set in his own world of breakbeats and vinyl scratches.”
‘King Gizzard & The Lizard Wizard have shared another song from Butterfly 3001, their album featuring remixes of songs from their 2021 album Butterfly 3000. “Black Hot Soup (DJ Shadow ‘My Own Reality’ Re-Write)” is the opening song from the album and it arrives today with a new video directed by John Angus Stewart. ‘
‘Melbourne-based psych-rock group King Gizzard & The Lizard Wizard have shared a video for the newly released DJ Shadow remix of “Black Hot Soup” from the band’s previous studio album, Butterfly 3000. The remix, dubbed the “DJ Shadow ‘My Own Reality’ Re-Write,” is the latest release from King Gizzard’s upcoming remix album, Butterfly 3001.’
‘King Gizzard & The Lizard Wizard are releasing a remix album, titled Butterfly 3001, which will be out January 24 via KGLW. It features remixes and reworks of songs from this year’s Butterfly 3000 by DJ Shadow, The Flaming Lips, DāM-FunK, Geneva Jacuzzi, Peaches, Peaking Lights, Confidence Man, Kaitlyn Aurelia Smith, and more.’
‘Earlier this year, we deemed King Gizzard & the Lizard Wizard’s album Butterfly 3000 “the least King Gizzard-sounding record of theirs yet,” and the prolific outfit will further their experimentation with a star-studded crew of collaborators on a new remix collection.’
‘“We’ve put off doing a remix album for a long time,” King Gizzard & The Lizard Wizard explain. “Maybe it was conscious, maybe it wasn’t. But it’s happening now. That’s not to say that Butterfly 3000 makes the most sense to remix. It might seem like the obvious one, but it’s not. Yes it’s electronic. But so is a fridge.”’
‘Released by the band’s KGLW label, Butterfly 3001 contains 21 new versions of tracks from the band’s 18th album, Butterfly 3000. The remix album, which is spread over four pieces of vinyl, will be released on January 21st, six months after the original album release.’
‘King Gizzard & The Lizard Wizard have announced Butterfly 3001, a full-length featuring remixes of Butterfly 3000 songs. The new album—out January 21 via KGLW—includes contributions from Yu Su, Deaton Chris, DJ Shadow, Donato Dozzy, Flaming Lips, DāM-FunK, and more.’
‘On her third album as Spellling, the Bay Area-based wizardess Chrystia Cabral employs the language of myth, magic and fancy to illuminate her reality as an empathic artist negotiating the realities of a world that’s multifariously on fire.’
‘Chrystia Cabral’s music encircles scenes of love and harmony with the threat of what lurks beyond their light: wolves at the edge of town, snapping at the gates. ‘
‘King Gizzard & The Lizard Wizard have announced a 2022 world tour in support of their latest LP Butterfly 3000, kicking off on March 19 at Lollapalooza Argentina. They’re supported by Amyl and the Sniffers, Spellling, Dj Crenshaw, Leah Senior, and the Murlocs.’
‘Beginning next March at Lollapalooza Argentina in Buenos Aires, the psychedelic rock band is scheduled for some of their biggest festival appearances, including shows at Shaky Knees and Primavera Sound. Also taking on some of their largest venues yet, King Gizzard are returning to Red Rocks Amphitheatre for a two-night sold-out stint. The Red Rocks and shows at the Greek in Berkeley, California are set to be the band’s famous three-hour marathon concerts.’
‘The trek will see the Aussie psych-rockers traversing across Europe and the North and South Americas, while hitting festivals such as Lollapalooza in Argentina and Brazil, Primavera Sound, and Shaky Knees. During the latter part of their tour, King Gizzard will play some of their biggest venues yet, including a two-night stand at Red Rocks Amphitheatre in Morrison, Colorado, and Forest Hills Stadium in New York City.’
Hello! Hope everyone is healthy & safe as we get back into the groove of attending live shows again! Here are a few exciting shows we have in the works in California this Fall. Ticket links on our show page!
‘One of the most prolific artists of the last decade, rivalling the output of Oh Sees and Robert Pollard, Ty Segall emerged from a two-year hibernation earlier this month, surprising the world with Harmonizer which he released to the world with no advance notice.’
‘The album distinguishes itself from the Segall catalog with extra-punctuated parts that slam into the ears, a calculated continuity enhanced by tracks that transition seamlessly, and a bunch of laser sounds.’
‘On “Whisper,” Segall mangles synthesizers until they sizzle and melt down into guitar-like lava. Combining sludgy stoner metal, electronic textures and sugary-sweet harmonies, Segall basically remakes heavy music into his own funhouse image. At the end, “Whisper” suddenly lurches into a slower gear, heading off in another direction.’
‘The 10 compositions of Butterfly 3000 work together as a whole, interlocking with each other through synth loops and feathery, dreamy vocals. With Butterfly, King Gizz is less of an experimental prog-jam band standout and more in step with its synth-rock contemporaries—and they fit in just fine.’
‘The orchestral title track from Tia Cabral’s third album as SPELLLING is plenty dreamy on its own, but the woodsy, self-directed video neatly rounds off her fairytale vision. ‘
‘The elegant collection of twelve songs builds on the bewitching synth-based sound she’s consistently refined since 2017’s Pantheon of Me, evolving in terms of lyrical complexity, sonic richness and conceptual depth. Born largely of the past year spent in isolation, these shifts all serve to signal the exponential potential of Cabral’s creative capabilities.’
‘The myth-skewing, Oakland-based artist is a chameleonic pop singer on her third album. Whimsical and urgent, these are fairy tales meant to wake us up.
‘Tia Cabral is a shapeshifter, with an eye and ear tilting toward the fantastical. In the visuals for her experimental pop project SPELLLING, she has appeared as an entity dipped in glittery goo, a rodeo princess, and a silver-faced harlequin. In her new short film for “Turning Wheel”—the title track of her enchanting new album—Cabral leads a gaggle of circus-chic misfits up a grassy knoll, a butterfly perched on her lavender cheek.’
‘The Turning Wheel is inspired by a multitude of genres, “from soul to psych to pop to noise” according to the record’s liner notes, which she knits together to gradually transport listeners from an airy high to a heavy low. It’s all done in a theatrical fashion, each scene connected by raw emotion.’
‘We loved “Little Deer,” the immutable lead single from Oakland avant-pop artist Spellling. Her new project is entirely self-produced and enlists the talents of 31 different musicians.’
‘Chrystia Cabral’s new album as SPELLLING was led by the single “Little Deer”—a song she called a “thesis track” of the LP because “it accomplishes this strong impression of theater that I was striving for with the album as a whole.” Learn more in the new feature “How Dracula, Tarot Cards, and Drinking in the Shower Inspired SPELLLING’s New Album.”’
‘The Turning Wheel, SPELLLING’s latest work, is exactly that—a mesmerizing, inventive, and infectious work sprawling in beautiful new directions from past acclaimed albums like Mazy Fly. The Sacred Bones release drops June 25 and deserves to be heard by the masses…’
‘Little Deer,” the first single from Cabral’s third album The Turning Wheel, proves what she’s capable of with a lot more room to stretch out and build upon the already captivating foundation she’s established. Dramatic piano chords ring out against a cinematic array of strings, with twinkly synths climbing toward starlight. It’s a stunner from the outset, but by the chorus it becomes truly breathtaking…’
‘An album of contrasts and juxtaposition, The Turning Wheel is an exploration of cycles and coefficients, its two halves comprising a set of bright orchestral pop against an underbelly of big-production gothic dirges.’
‘Butterfly 3000 is the latest offering, a melodic and psychedelic affair that certainly justifies the band’s prolific nature.’
