Mikal Cronin has shared his first new song in four years. “Undertow” is the first track to drop from an upcoming 7″ and can be heard below. The physical release will arrive on May 10 alongside second new song “Breathe.”
Mikal Cronin is back with a new 7″ single that will be out via Famous Class on May 10. “This is my first new music in a while,” Mikal admits. (Four years, give or take. “My gulp of air. Many talented friends joined me, the basic tracks were recorded live together for the first time in my recording career.” Those talented friends include William Tyler, Shannon Lay, Heidi Alexander (The Sandwiches / Fresh & Onlys) and more. This is a little rawer than we’ve heard Mikal go in a while, too, and the grit is welcome.
Mikal Cronin has shared his new single “Undertow,” the a-side from his new 7.’ This is Mikal’s first new solo material since his album MCIII back in 2015. The album is up for pre-order over at the Famous Class Mart, and will be available in stores May 10th.
More fondly known as ‘Uncle Murl’, The Murlocs’ delivery of Manic Candid Episode presents an arrangement of tracks that remain familiarly within the realm of their signature psychedelic fuzz rock while stressing the band’s development and increasing complexity.
Oh Sees have announced a sprawling 43-date world tour. The band will kick things off in early May in Atlanta before heading to the UK and Ireland for the remainder of that month. They’ll play a handful of dates across the rest of Europe until September, when they’ll return to the North America for shows in the US and Canada; Prettiest Eyes will join Oh Sees for select dates on this leg. The tour is set to close out in LA on Halloween night. Last summer, Oh Sees released Smote Reverser, which featured the excellent “Anthemic Aggressor.” Find the full list of tour dates below.
Fresh from a slew of shows out in Austin for this year’s SXSW, Oh Sees have announced a massive world tour that stretches across the rest of the year.
John Dwyer and co will begin the tour at Shaky Knees festival in Atlanta in early May, before heading to the UK and Ireland, taking in a host of European dates before returning to the States in the Autumn.
Oh Sees (formerly known as Thee Oh Sees) have announced a massive 43-date tour. The trek kicks off on May 3 in Atlanta and stops in various locations across the UK and Europe before returning Stateside at the end of September. The band will play shows in San Francisco, Chicago, Brooklyn, Philadelphia, Austin, and more before wrapping up in Los Angeles on Halloween. Check out Oh Sees’ full itinerary below.
King Gizzard & the Lizard Wizard have announced a new album. Fishing for Fishies is out April 26 via Flightless. It’s the first full-length from the Australian band since they released five albums in 2017.
Two years ago, King Gizzard & The Lizard Wizard took the world by storm with the release of five full-length albums. After having a chance to catch their breath, the prolific Australian rockers are back with their latest offering. It’s called Fishing For Fishies and due out on April 26th.
Mac DeMarco has announced a new album, Here Comes the Cowboy. It’s out May 10 and will mark the debut release on Mac’s Record Label. Mac has also shared the single “Nobody.”
Mac DeMarco unveiled “Nobody,” a desolate track set to appear on his next album, Here Comes the Cowboy. It’s out May 10th via his own Mac’s Record Label. “Nobody” is stripped down and ambling: Built around prickly guitars and a steady clop of drums and bass. DeMarco sings, “There’s no turning back/To nobody/There’s no second chance/No third degree.”
“There’s no turning back to nobody,” Mac DeMarco sings on the lead single from his new album. “There’s no second chance, no third degree.” The song a low-key lament about the perils of fame, yet from that personal subject matter DeMarco manages to wring universal feelings of longing and regret.
Mac DeMarco is back, sharing new single ‘Nobody’ and announcing new album ‘Here Comes The Cowboy’.
Having been quoted as drawing inspirations “from messages in her dreams,” Chrystia Cabral, who goes by SPELLLING, conjures forth a very cerebral soundscape; one filled with flashes of light shining out from the shadowy scene, every inch of which she has carefully crafted.
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In recent years, self-care culture has exploded beyond simple millennial infatuation; the term, which refers to the conscious integration of health and wellness practices into daily life, is equal parts lifestyle manifesto and multi-billion dollar industry. “No Difference,” the latest single from the New Zealand-born, Australia-raised singer Jess Cornelius, addresses the individual reckoning that occurs in the most intimate corner of the self-care sphere — the bathroom.
There’s a song on SPELLLING’s debut, 2017’s Pantheon of Me, where the vocalist and musician Tia Cabral moans over a high-pitched, murderous guitar refrain, one that sounds like tiny gremlins fiending for blood: “I’m not going back to him.” She repeats herself, slightly changing the plea, as layers of ghostly vocals spill over each other. “I’m not going back to the grave.” Again, more desperate than before, she wails, “I’m not going back to the grave.”
New Zealand-born, Australia-raised and a current Los Angeles resident, Jess Cornelius has settled down with a new track titled “No Difference.”
The former member of Melbourne’s Teeth & Tongue released her first solo EP in 2017 titled Nothing Is Lost, and is now making her return with today’s standalone new track.
Aussie singer-songwriter Jess Cornelius has released a gorgeous new single, “No Difference.” Cornelius, who formerly played with the Melbourne band Teeth & Tongue, wrote “No Difference” before making the move from Australia to Los Angeles. In the spirit of massive, cross-Pacific moves, the song is both nostalgic and longing for a fresh start. For the song’s visuals, Cornelius enlisted the help of friends and acquaintances in Melbourne.
Singer-songwriter Jess Cornelius, who used to be part of Australian group Teeth & Tongue, has just released her debut solo single, “No Difference.” A nice piece of anthemic guitar pop, the song’s video focuses on eyes and has Jess singing from the bathtub. “We wanted to introduce the water element because of its cleansing/rebirthing properties, but water is also destructive, and the image of someone wearing a white suit in a full bathtub implies someone slightly unhinged,” says Jess.
Wellington-raised, Los Angeles-based songwriter Jess Cornelius (Teeth & Tongue) was recently in Aotearoa for her first hometown show in seventeen years, playing alongside local heroes French For Rabbits. The expat artist’s debut solo collection Nothing Is Lost made significant waves when it dropped in 2017, garnering praise from such international tastemakers as NYLON and Tone Deaf magazine.
As SPELLLING, Cabral makes music that’s basically impossible to categorize. She plays around with all sorts of dark and vaporous sounds: gothed-out horror-movie synth textures, new-wave bloop-riffs, queasy ambient sputters, bluesy squelches, creeped-out smooth-jazz saxophones, pillowy ’80s-R&B bass-riffs, spindly indie-rock guitar-murmurs. As a singer, Cabral is rooted in soul, and she’s capable of bending notes with astonishing force and conviction.
The Bay Area artist talks about dressing up like magical characters, obsessing over creepy carnivals, and embracing her uniqueness in this Rising interview.
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The Murlocs contain two agents of the ultimate psych monster King Gizzard & The Lizard Wizard: keyboardist Ambrose Kenny Smith and guitarist Cook Craig, who have miraculously found the time to record three more albums with this set.
Panache returns to SXSW for another year! We are pleased to announce our 2019 SXSW Official Showcase on Friday 3/15 at Hotel Vegas with Oh Sees, Bane’s World, Amyl and the Sniffers, Surfbort, Warm Drag, OHTIS, Deeper, Jess Williamson, and Haiku Hands. More info here.
And you thought this was going to be the year Mac DeMarco was going to take a little time off to putter around the house, do a spot of gardening, learn a new language…maybe take up golf? Nah, just like the old timey toy, you can’t keep the feel-good melodies going by keeping the Jack-in-the-Box. The jester always needs to come out and play.
Panache is thrilled to welcome the legendary BIKINI KILL to our artist roster. We are excited to announce that the band will be playing reunion shows in LA & Ny. All dates here.
Bikini Kill are reuniting for a string of shows later this year in New York City and Los Angeles. The lineup will feature the trio of Kathleen Hanna, Tobi Vail, and Kathi Wilcox, along with Erica Dawn Lyle on guitar. It’ll be the first time they’ve played a show since 1997, though last year they briefly reunited to perform one track at a book release party.
Feminist punk pioneers Bikini Kill will reunite for three shows this spring in New York and L.A. Kathleen Hanna, Tobi Vail, and Kathi Wilcox will be joined by guitarist Erica Dawn Lyle for the shows, replacing guitarist Billy Karren. These will be Bikini Kill’s first full shows since the band broke up in 1997. (In late 2017, Hanna, Vail, and Wilcox played one song together at the Kitchen in New York City, during an event celebrating the release of the 33 1/3 book about the Raincoats by Pitchfork Contributing Editor Jenn Pelly.)
