“The band, called Fuzz and featuring bassist Roland Cosio and guitarist Charles Moonheart, have already released the sold-out debut single, ‘This Time I Got A Reason’, and now they’ll put another (entitled ‘Sleigh Ride’) out on 16 April…”
“The latest one, Trouble in Old Bathbath, is set to have its official premiere on April 18 at the Anthology Film Archives in New York, smack in the middle of their upcoming East Coast American tour. If this is sounding like too much awesome noise to handle, dig this: their 4/20 date will feature Black Dice and K-Holes…”
“”I don’t want to answer to anybody at all.” That philosophy has seen Thee Oh Sees’ John Dwyer through nearly two decades in San Francisco’s garage rock scene, a stint that has included 13 bands, countless records (35 Oh Sees releases alone) and a career trajectory that’s brought the 38-year-old to his best-known band’s 12th and most unconfined full-length, Floating Coffin.”
“Cyclops Reap, Presley’s forthcoming album on Thee Oh Sees frontman John Dwyer’s Castleface Records, was originally intended as a grab bag of leftovers from his last three years of insane productivity. But Presley’s drive quickly transformed the project into a full-fledged album…”
“White Fence‘s albums are great and all, especially if you’re in the mood for psych jams dusted with LA smog and a little weed smoke, but sometimes it feels like frontman Tim Presley works better as a singles artist, pushing these deep nuggets of wobbly pop into the world to be compulsively studied and listened to so many times that seemingly innocuous lyrics like did you get what you needed today? start to sound pretty heavy…”
“The latest one, Trouble in Old Bathbath, is set to have its official premiere on April 18 at the Anthology Film Archives in New York, smack in the middle of their upcoming East Coast American tour. If this is sounding like too much awesome noise to handle, dig this: their 4/20 date will feature Black Dice and K-Holes…”
“Now, as Exclaim.ca points out, Segall has plans for another 7″ Fuzz single, titled “Sleigh Ride”, which is set for an April 16th release via In the Red. According to an accompanying announcement, “The band more than live up to their name with a a sludgy, heavy, psyched-out proto-metal sound that is steeped in shredding fuzztone guitar. Comparisons to Blue Cheer, the Jimi Hendrix Experience and Black Sabbath have been made and are not far off the mark.””
“Watch Montreal-based Mac DeMarco and his band play “I’m a Man” live on the final day of the FADER Fort…”
“They had more energy than should be allowed on the last day of SX, and the audience guzzled down every last drop. Bass player Petey Dammit slung his instrument (what looked to be a Fender Bass VI for you gear nerds out there) high, and laid down fat, pounding lines that were as meaty as they were hypnotic…”
“Mikal Cronin — former sideman for San Francisco garage-rock icon Ty Segall — has released perhaps the year’s finest power-pop album, MCII, using these latter methods; in addition, he’s written the best power-pop song of the year, “Shout It Out,” which combines all of the above gushingly, and features the priceless line, “Shit goes on and on and on and on.””
“I lounge comfortably while Mikal Cronin unfurls divine garage pop steeped in layers of guitar and decades of songwriting genius. You can tell all these great Bay Area garage bands compete with each other to hit the hardest; this set is so wonderfully intense and maximalist…”
“DeMarco closed out his Wednesday afternoon outdoors at the Paste/HGTV party with a fantastically goofy rendition of “Still Together,” playing deadpan lounge singer for the verses and unhinged punk yodeler for the choruses…”
“Even better was a Friday night sugar rush from Mikal Cronin, whose rock anthems came dunked in color, charisma and electricity. From song to song to song, you could see the stiff-jointed audience slowly committing to the music with their bodies — and then with their giggles, namely whenever Cronin, who looks like a grunge John Cusack, flung his hair skyward…”
“And while his band riffed for passers-by on Red River Street, actually seeing Dwyer through the mini-mob was tricky. For a better view, a dozen faithful climbed up onto the roof of his band’s Ford E-350 tour van, parked in an adjacent alleyway. On the patio, two peroxide blondes perched atop an ATM like punk gargoyles.”
“In the evening, we teamed with Shea Stadium Records for an official showcase celebrating DIY music with performances by So So Glos, Diarrhea Planet, Kitty, Stagnant Pools, Roomrunner, and Duolouge. Check out various photos from both events in the gallery below.”
“Unsurprisingly, in the moments before this performance, he and his band looked exhausted. But oh man did they power through the lethargy. Mac whipped around wildly, crowdsurfed, latched himself onto a beam, and started swinging from Swan Dive’s ceiling…”
“Cronin was more direct, but provided an equally timeless service. Though the band’s three-part guitar attack sometimes tripped over itself – one 20-second solo giving way to another giving way to a shout-along, misfit chorus – Cronin and his band of unkempt music geeks (they covered Wreckless Eric’s “[I’d Go The] Whole Wide World”) wrote songs for the boys and girls out of their league and all the hopeless romantics who have fallen in love with a record collection…”
“The Canadian singer/guitarist is known for his unpredictable and usually hilarious onstage antics, as well as releasing one of the best guitar albums last year in 2, and his set far exceeded expectations in both the quality of the performance and the sheer hilarity of DeMarco and his band…”
“You can’t get too comfortable during a Mikal Cronin song. At the Parish, the ridiculously talented Bay Area power-popper and Ty Segall compadre would launch into music that was all welcome signs — his own high, crisp rhythms, lovely plaintive melodies — then he and his backing band would snap…”
“Yesterday, Consequence of Sound hosted a day full of SXSW festivities, beginning with our second annual unofficial day party, CoSigns, featuring Thurston Moore’s Chelsea Light Moving, The Thermals, Mac DeMarco, St. Lucia, Ex-Cops, Wampire, White Lung, Fort Lean, Teen, and AbdeCaf…”
“On Wednesday night, Hive photographer Loren Wohl set up at Life or Death PR’s showcase to catch some of the artists backstage. Check out his revealing portraits of Mac DeMarco…”
“He acknowledged that another motive was a desire for vindication. Four years ago, the festival declined his application for a showcase spot. “I played house shows and slept in my car the whole time,” he said…”
“Mikal Cronin may be better known as being bassist in Ty Segall’s band, but that may change with the release of his terrific second solo album, MCII, which will be out on Merge in May…”
NPR’s All Songs Considered calls Cronin, “…the next big thing…”
“From the same class of Kurt Vile’s forward-thinking takes on classic rock comes Mac DeMarco, a cigarette-loving slack rocker with a taste for jangly guitars and loose riffs. Although it wasn’t an easy path, the songwriter just released his second album, titled 2 last year and has been turning heads of critics and music fans ever since…”
“It’s music that feels out of time — like it could have been written 20 years ago or today in his living room. Demarco doesn’t have anything to prove, and he’s going to sing about just that.”
“We spoke with Montreal-based crooner Mac DeMarco before his soldout show at Music Hall of Williamsburg. He mused on the differences between Montreal and New York bagels, among other things.”
“DeMarco’s live performances are notoriously wacky, oddly seductive, sometimes nude, and not to be missed”
“After a stellar, self-titled 2011 debut in 2011, Cronin is preparing for the release of his Merge debut, MCII, a thoughtfully arranged slab of shimmering, high-grade California power-pop”
“The EP, Rock and Roll Night Club and the catchy-as-hell single “Baby’s Wearing Blue Jeans” blew up on the Internet. Brooklyn-based label Captured Tracks signed him and financed a full-length album. 2 came out in October and since then DeMarco’s been spending a lot of time on the road getting famous. I caught up with him while he was on his way to Philadelphia.”
