Latest updates about “Paste Magazine”

Ty Segall Announces New Album Possession, Shares “Fantastic Tomb”
Paste Magazine

“[‘Fantastic Tomb’ is] an energy-charged anthem that would feel right at home on classic rock radio.” – Paste

“Segall sets his hard-luck narrative to the grind of a fried electric guitar riff, while a smattering of keys and blustery saxophone solo further bring his story to life.” – Paste

“[‘Fantastic Tomb’] explodes with color; every element sounds like it’s been filtered through California sunshine. If you’re looking forward to a summer road trip, this is the song for you—its freewheelin’ groove practically demands to drift from cracked-open car windows, out onto the open road.” – Paste

The 100 Best Albums of the 2020s so far
Paste Magazine

10. Spellling: The Turning Wheel (2021)

In the first half of a decade which saw the rise of many diaristic singer-songwriters, the indie world still struggles with whimsy or theatricality as concepts. Yet, Oakland art pop multi-instrumentalist Tia Cabral crafted one of the most ambitious, existential sleeper hits of the past five years by operating in a fantasy world of her own. Centered around her distinctive soprano cutting through lush, immaculately produced walls of harp, prog guitars, woodwinds and strings, The Turning Wheel is half paean to the natural world, half chilling depiction of isolation outside of it. From the pulsing lovesickness of “Always” to the icy synth showcase of “Queen of Wands” to the grandiose centerpiece of “Boys at School,” she carves out one mini-opera after the other, dazzling us one breath and haunting us the next. For all the critical darlings singing plaintive, poetic lines over acoustic guitars, few moments will still cut like Cabral’s delivery of “I’m meaner than you think, and I’m not afraid of how lonely it’s going to be” by the decade’s end. —Elise Soutar

Daily Dose: Ty Segall, “My Room”
Paste Magazine

The always-prolific Ty Segall has announced the dawn of a new era. His next record, Three Bells, will arrive January 26 via Drag City. In the previous months, Segall has unveiled singles like “Void” and “Eggman,” both psychedelic and fuzzed-out to oblivion. This time around, his official teaser single “My Room” cools it on the distortion and plays up the blistering rock tones he’s become known for. The track is melodic and impassioned, working its way through stone-cold rock riffs and searing melodies.

King Gizzard and the Lizard Wizard Announce 25th Album The Silver Cord
Paste Magazine

King Gizzard and the Lizard Wizard are back with a triple-single to announce their monumental 25th album, The Silver Cord. The band also have unveiled a lineup of 3-hour marathon sets beginning next year. The Australian six-piece dropped “Theia / The Silver Cord / Set” in a trippy 12-minute music video showcasing the album’s range from melodic synths to hard-hitting techno with distorted vocals.

The 10 Albums We’re Most Excited About in August
Paste Magazine

Oakland singer/songwriter and experimentalist SPELLLING is following up her 2021 masterpiece The Turning Wheel this August with SPELLLING & The Mystery School, a collection of tracks that surf between minimalism, glitchy percussive rhythm and hypnotic pianistic patterns. Full of mysticism and drama and haunting, evocative exploration, The gravity of SPELLLING’s songwriting is immense and, in turn, she makes left-field pop music that is both alien and ambitious. SPELLING & The Mystery School is on our radar because, after teaser singles “Cherry” and “Under the Sun,” it’s shaping up to be one of the best things she’s made—which says a great deal, given that The Turning Wheel was one of the very best records of 2021

Best New Albums: This Week’s Records to Stream
Paste Magazine

“DIY pioneer Mac Demarco found solace in solitude as traveled the U.S. and abroad to record his newest instrumental record with his makeshift mobile studio. Five Easy Hot Dogs isn’t his first rodeo with instrumental tracks. The singer/songwriter released a small, eight-track instrumental album Some Other Ones for fans back in 2015. This time, the opening track “Gualala” gives Demarco fans a familiar feeling with his signature synths tweeting in and around the song, accompanied by a mixed style of plucking and strumming from an acoustic guitar and a rounded bass line to keep the song moving steady. The LP attests to the joys of escaping to places where no one knows you, if just for a moment. Each song’s runtime is about two minutes and is named after the location where the track was recorded. And the tracks from each place maintain a particular theme with the use of similar instruments. Vancouver, which consists of three tracks on the album, quickens the pace of the record. You can imagine DeMarco getting a little more pep in his step as he takes a little walk around town. The 14-track album bears a light feeling throughout the listening experience, thanks to the stripped-down production, and encourages you to find the beauty in the mundane—create when you feel inspired, and create because you love doing it”

Bikini Kill Announce Additional 2020 Tour Dates
Paste Magazine

Legendary feminist punk band Bikini Kill recently regrouped for 10 thrilling performances in select cities NYC, LA and London + a special headlining Riot Fest appearance, marking their first full shows since 1997. These shows sold out quickly and the enthusiastic fan response encouraged the band to launch a more expansive run. Their recently announced 2020 international tour dates are selling out quickly and today, the band is thrilled to announce additional dates with stops at NYC’s Prospect Park Bandshell, Red Rocks, Burger Boogaloo and a special second show in Olympia.

The 15 Best Songs of May 2019 – Ezra Furman at #3
Paste Magazine

As is typically the case with Furman’s songwriting, “Calm Down aka I Should Not Be Alone” just shreds. Furman has always been able to bridge this gap between pop-rock and garage meltdowns with a particular punk-rock sensibility; the immediately laid-back and groovy bass line that kicks the song off paves the way for an absolute ripper of a bridge that finds Furman yelling, supportively, at the listener to calm down. —Harry Todd

Paste Magazine loves Oh Sees new album, “Orc”
Paste Magazine

“..the record is an absolutely evil stunner from front to back, top to bottom, head to toes and everywhere in between, and whips up the same kind of radiant, strange awe that the band’s overdriven catalog has so generously perpetrated album after wicked album.”

Paste Magazine reviews King Gizzard & the Lizard Wizards’ “Murder of the Universe”
Paste Magazine

“Obvious comparisons can be made to any number of hard rock heroes from decades past: Black Sabbath, Deep Purple, Uriah Heep, Iron Maiden and other outfits that built their brand based on sinister intent and sonic excess. Yet even those aforementioned bands sound like weary shoegazers in comparison, given the agitation, fury and frenzy that’s well served by King Gizzard’s urgency and intensity.”

Paste Magazine features King Gizzard & The Lizard Wizard record announcement for “Murder of the Universe”
Paste Magazine

“…There’s no single from album number two yet, but there’s an appropriately ominous and trippy video for Murder of the Universe that talks of new worlds replacing old ones and memories being blown up in the mushroom clouds. If everything on the album is as intense as this clip’s one minute, it’ll be one hell of a ride…”

Paste Magazine names Ty Segall’s Mr. Face #2 of top 10 EP’s of 2015
Paste Magazine

To those for whom simply owning a vinyl copy of one album or another is not enough, the eternally vintage-scoped Ty Segall teamed up with Famous Class Records for a collector’s treasure. Outside of the music itself, the Mr. Face EP comes with 3D glasses within the gatefold, the better with which to view the album’s trippy, mirror-reflection photography on another dimension, man!

Paste Magazine reviews Mikal Cronin’s MCIII
Paste Magazine

Mikal Cronin knows how to write a pop song. Not like a Max Martin pop song, but a pop song that could’ve existed at almost any point in the last 50 or so years of rock history. Parents and children alike can unite in appreciation for how this guy writes a guitar song.

Paste Magazine interviews Ezra Furman
Paste Magazine

It was high time we caught up with Ezra Furman. Between leaving his band, the Harpoons, moving across the country and putting out two excellent records this year (The Year of No Returning and Day of the Dog), there was a lot that we were overdue for a chat about.

[Page 1 of 2 ]