The Raincoats: Odyshape Review on Pitchfork
Pitchfork
It’s a very intimate recording, full of sounds they wisely never tried to recreate again, and vocal takes that are often inflected with a heart-crushing vulnerability.
It’s a very intimate recording, full of sounds they wisely never tried to recreate again, and vocal takes that are often inflected with a heart-crushing vulnerability.
Goodbye Bread is filled with such rich, breathtaking moments, and Segall, who plays every instrument here, sounds as though he’s savoring every part of his process.
San Francisco’s Thee Oh Sees have morphed from a showcase for skronk-savant John Dwyer’s sensitive side into the hardest working band in garage-rock.
Music critics, place your hands over your hearts and join me in this pledge: We shall not exploit the cataclysmic flooding of New Orleans to attach a pat resonance to the new Quintron & Miss Pussycat album.
Music critics, place your hands over your hearts and join me in this pledge: We shall not exploit the cataclysmic flooding of New Orleans to attach a pat resonance to the new Quintron & Miss Pussycat album.