With algorithms constantly quantifying our tastes and habits, it’s freeing to remember that little is truly known about some dimensions of the human experience. SPELLLING turns to her most trusted divination tools to tap into the spiritual realm: her synthesizer, her tarot cards and her intuition.
Hey, Ty Segall released a seven-minute experimental prog-rock song! “Void,” released today to accompany Segall’s 2024(!) tour announcement, is a relative rarity within the veteran garage-rocker’s extensive catalog. It begins with an eerie, dissonant acoustic arpeggio and builds layers from there. It never really settles into the hard-charging take-no-prisoners mode I associate with Segall’s live […]
Chrystia Cabral gives her old highlights new studio arrangements, lending them the immediacy and clarity of live versions. As SPELLLING, Chrystia Cabral dances the line between straightforward dream pop and aquatic, experimental electronic folk, creating music that both roils the soul and inspires whimsical daydreams. She expanded upon her tactile sound on 2021’s audacious The Turning Wheel, […]
With a vibrant kaleidoscope of sounds and ethereal ambiance, the singer brings both her fantasy world and reality to life. Chrystia Cabral’s Spellling & the Mystery School is a collection of songs from throughout her career as Spellling, but with a twist, as each track has undergone a complete reimagination. The already eerie “Under the Sun,” […]
Since the release of her 2017 debut Pantheon of Me, Tia Cabral, aka SPELLLING, has proven she can handily create expansive, fantastical worlds from the safety of her studio. But with each new record—including 2019’s synth-driven Mazy Fly and 2021’s orchestrally ambitious The Turning Wheel—Cabral has found new possibilities of expression on the stage. On her latest voyage, SPELLLING & The […]
On a European tour, the Australian group, which approaches many musical styles, went through the festival organized in part at the fort of Saint-Père, near Saint-Malo.
Filipino singer and rapper Eyedress has released a new single featuring Mac DeMarco called “The Dark Prince,” co-written by Demarco and Eyedress, as well as Zach Fogarty and John Hill.
Oakland singer/songwriter and experimentalist SPELLLING is following up her 2021 masterpiece The Turning Wheel this August with SPELLLING & The Mystery School, a collection of tracks that surf between minimalism, glitchy percussive rhythm and hypnotic pianistic patterns. Full of mysticism and drama and haunting, evocative exploration, The gravity of SPELLLING’s songwriting is immense and, in turn, she makes […]
Chrystia Cabral (SPELLLING) has shared the third single from her next album, SPELLLING & the Mystery School, due out August 25 via Sacred Bones. The record reintroduces the backing ensemble that joined Cabral for her most recent full-length, 2021’s The Turning Wheel, and comprises full-band re-recordings of tracks from across Cabral’s career: The original version of today’s track, “Hard […]
Eerie artist Spellling — real name Chrystia Cabral — received recognition for her idiosyncratic 2021 masterwork The Turning Wheel, and these new songs “Cherry” and “Under The Sun” prove she hasn’t lost her haunted appeal. “Cherry” twinkles and broods and builds with unsettling whispers, growing into an evil anthem, sounding like a scene from a horror […]
Spellling (aka Chrystia Cabral) has announced a new album: Spellling & the Mystery School is a collection of new versions of songs from across her discography that she recorded with her touring band. The full-length arrives August 25 via Sacred Bones. Listen to tracks from the LP, “Cherry” and “Under the Sun,” below.
“For the tour behind her excellent 2021 album The Turning Wheel, SPELLLING performed alongside a full band called the Mystery School, giving new dimensions to the experimental pop artist’s work. If you didn’t get a chance to see those shows, SPELLLING will soon bring the experience to a new studio album called SPELLLING & the Mystery School. Out August […]
The key to understanding the King Gizzard phenomenon is a willingness to imagine disparate categories in dense overlap, well beyond anything our post-genre pop era might have prepared us for. The group’s six musicians live at the center of a very unlikely Venn diagram: stylistic chameleons on par with Beck and Damon Albarn, prolific at […]
And take a band like Le Tigre – Kathleen Hanna’s brilliant 90s riot grrl band whose MO was always to “write political pop songs and be the dance party after the protest”. They feel just as, if not more, vital today as they did back then (their debut album in 1999 featured the line “Oh, fuck […]
King Gizzard clocked back into somewhat familiar instrumentation with PetroDragonic Apocalypse (for short, because, of course), which marks their 24th studio album. Self-described as “heavy as fuck,” the new record harks back to 2019’s Infest the Rat’s Nest by diving into the metal pools of experimentally hard-hitting riffs and songs about witches and wizards. They teased the album with lead single “Gila […]
“The trio tore through classics like “Deceptacon” and “TKO” as though no time had passed, with Kathleen Hanna, JD Samson, and Johanna Fateman each dressed in vibrantly colorful outfits that gleamed under the light show. Hanna and Samson split banter duty, with Hanna giving especially impassioned speeches deriding oppression and urging the audience to take […]
Finally — King Gizzard & the Lizard Wizard have made an album about lizards and wizards. With a title impossibly more tongue-twisting than the band’s name, and one which seems to beg for a sepia-toned fantasy map in the vinyl gatefold to fully understand its lore, PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth […]
Thankfully, this bleak turn of events chronicled on King Gizzard and the Lizard Wizard’s new album, PetroDragonic Apocalypse or Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation, is just a fantasy (for now). But as some kind of metaphor for how humanity has ravaged its only home to the point […]
“Unlike nearly every musical act on the planet, you don’t see them expecting to hear a favorite song. Chances are, you won’t hear it. Instead, what binds all this, what they ask is faith in an old value: A live performance should be ephemeral, fleeting. King Gizzard & the Lizard Wizard, exciting, dumb, silly, moving, […]
On the face of it, rage and joy are not an easy aesthetic fit. Rage is engaged, rope-veined; joy is free and light – frivolous, even. And yet the collected works of musical activist Kathleen Hanna – across three bands: 1990s punk outfit Bikini Kill, her electronic bedroom pop project the Julie Ruin, and Le […]
“The band are full of energy that doesn’t let up, whether playing and dancing to electro bops or guitar-heavy rock offerings. Hanna gives her trademark shrill screech throughout – a subversive, self-consciously feminine expression of punk”
Following their latest foray into thrash metal with 2019’s Infest the Rats’ Nest, King Gizzard & the Lizard Wizard returned with a promise of more “heavy as fuck” tunes coming our way with the lengthily titled PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation, due June 16 via […]
“Playing live is this visceral, cathartic event. It might as well be like you’re playing a game of football, chess or whatever. It’s not the same as writing and rehearsing, you have a crowd, you have interactions with other people”
“Rich Homie Quan talked the talk, but John Dwyer walks the walk: The man will never stop going in. The prolific underground rock legend stayed busy with a zillion improvisational side projects during the pandemic, and it didn’t stop him from releasing a new album with main band OSEES last year. Now — on the […]
Cleaner and lighter than past efforts, The Murlocs Calm Ya Farm is their best full album yet as the good time sounds flow like free wine at a late-night afterparty.
“Instead of trying to fit within genre conventions, the Murlocs piece together what they’ve explored in the past and let their country undertones rise through the cracks on Calm Ya Farm. At their most collaborative, they’ve created their most cohesive yet multi-faceted album to date. Surprisingly upbeat closer “Aletophyte” ends it all on the question […]