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Pitchfork announces Ty Segall’s Live in San Francisco

Ty Segall’s most recent output has been released under his standalone moniker— Manipulator and $ingle$ 2 are solo affairs. Soon, however, he’ll release another record from the wrecking crew responsible for Slaughterhouse: the Ty Segall Band (the team of Segall, Mikal Cronin, Emily Rose Epstein, and Charles Moothart). Their Live in San Francisco LP is […]

Hero Magazine interviews Ezra Furman

Ezra Furman possesses an increasingly rare quality that eludes most musicians: the ability to exploit a multi-faceted persona, reinventing and adapting from one record to the next. Day of the Dog was released late last year to rave reviews.

Reverb reviews Thee Oh Sees at the Gothic Theater

Now working as a power trio, Dwyer along with bassist Timothy Hellman and drummer Nick Murray stopped at the Gothic Theatre on the second date of their fall tour to serve up a quick, high energy set of jagged yet groovy garage rock.

MXDWN announces Ty Segall’s new compilation

Ty Segall will release his new compilation called $ingle$ 2 on November 18 via Drag City. It is the sequel to the 2010 cassette release and is full of the loose tracks he recorded between the years 2011 and 2013—the Goodbye Bread, Twins, and Sleeper years. In the compilation, he also covers the Velvets, GG […]

Mojo interviews Mac DeMarco

Combining VU riffs, acid-washed AM ’70s rock and a touch of The dB’s pop, his plaintive lyrics are at odds with his ‘Dude, Where’s My Career?’ persona. Could DeMarco be Paul Westerberg and Bob Stinson at the same time?

Exclaim announces Ty Segall’s $ingle$ 2 compilation release

$ingle$ 2 covers the years 2011 through 2013, bringing together no-longer-in-print singles that, according to a press release, add up to a cohesive album. This was the era when the songwriter released the albums Goodbye Bread, Twins and Sleeper, plus the Ty Segall Band LP Slaughterhouse and the White Fence team-up Hair.

The Aquarian reviews Ty Segall’s Manipulator

Manipulator delivers generous distortion and the idiosyncratic, quirky sound that has become the defining characteristic of his music. A particularly singular record, Manipulator continues to showcase Segall’s eclectic rock taste, drawing its sound from psychedelia, glam, punk, noise and most of all, garage rock.

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