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Spin talks to White Fence about upcoming album Cyclops Reap

“Cyclops Reap, Presley’s forthcoming album on Thee Oh Sees frontman John Dwyer’s Castleface Records, was originally intended as a grab bag of leftovers from his last three years of insane productivity. But Presley’s drive quickly transformed the project into a full-fledged album…”

Fader streams White Fence new track, “Fragility”

“White Fence‘s albums are great and all, especially if you’re in the mood for psych jams dusted with LA smog and a little weed smoke, but sometimes it feels like frontman Tim Presley works better as a singles artist, pushing these deep nuggets of wobbly pop into the world to be compulsively studied and listened […]

Quintron & Miss Pussycat Play with Puppets, Tour

“The latest one, Trouble in Old Bathbath, is set to have its official premiere on April 18 at the Anthology Film Archives in New York, smack in the middle of their upcoming East Coast American tour. If this is sounding like too much awesome noise to handle, dig this: their 4/20 date will feature Black […]

Austinist reviews Thee Oh Sees performance at SXSW

“They had more energy than should be allowed on the last day of SX, and the audience guzzled down every last drop. Bass player Petey Dammit slung his instrument (what looked to be a Fender Bass VI for you gear nerds out there) high, and laid down fat, pounding lines that were as meaty as […]

Mikal Cronin makes Spin’s The 50 Best Things We Saw at SXSW 2013

“Mikal Cronin — former sideman for San Francisco garage-rock icon Ty Segall — has released perhaps the year’s finest power-pop album, MCII, using these latter methods; in addition, he’s written the best power-pop song of the year, “Shout It Out,” which combines all of the above gushingly, and features the priceless line, “Shit goes on […]

Stereogum reviews Mikal Cronin at SXSW

“I lounge comfortably while Mikal Cronin unfurls divine garage pop steeped in layers of guitar and decades of songwriting genius. You can tell all these great Bay Area garage bands compete with each other to hit the hardest; this set is so wonderfully intense and maximalist…”

The Washington Post reviews Thee Oh Sees performance at SXSW

“And while his band riffed for passers-by on Red River Street, actually seeing Dwyer through the mini-mob was tricky. For a better view, a dozen faithful climbed up onto the roof of his band’s Ford E-350 tour van, parked in an adjacent alleyway. On the patio, two peroxide blondes perched atop an ATM like punk […]

Pitchfork features Mac DeMarco at SXSW

“Unsurprisingly, in the moments before this performance, he and his band looked exhausted. But oh man did they power through the lethargy. Mac whipped around wildly, crowdsurfed, latched himself onto a beam, and started swinging from Swan Dive’s ceiling…”

Los Angeles Times reviews Mikal Cronin’s performance at SXSW

“Cronin was more direct, but provided an equally timeless service. Though the band’s three-part guitar attack sometimes tripped over itself – one 20-second solo giving way to another giving way to a shout-along, misfit chorus – Cronin and his band of unkempt music geeks (they covered Wreckless Eric’s “[I’d Go The] Whole Wide World”) wrote […]

Austinist reviews Mac DeMarco performance at SXSW

“The Canadian singer/guitarist is known for his unpredictable and usually hilarious onstage antics, as well as releasing one of the best guitar albums last year in 2, and his set far exceeded expectations in both the quality of the performance and the sheer hilarity of DeMarco and his band…”

Mac DeMarco Interview in Bullet Media

“The EP, Rock and Roll Night Club and the catchy-as-hell single “Baby’s Wearing Blue Jeans” blew up on the Internet. Brooklyn-based label Captured Tracks signed him and financed a full-length album. 2 came out in October and since then DeMarco’s been spending a lot of time on the road getting famous. I caught up with […]

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